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Queens of Syria (the documentary) tells the story of fifty women from Syria, all forced into exile in Jordan,who came together in Autumn 2013 to create and perform their own version of the Trojan Women, Euripides’ timeless Ancient Greek tragedy about the plight of women in war. Not one of them had ever acted before.

What followed was an extraordinary moment of cross-cultural contact across millennia, in which women born in 20th century Syria found a blazingly vivid mirror of their own experiences in the stories of a queen, princesses and ordinary women like them, uprooted, enslaved,and bereaved by the Trojan War.

It was a process charged with emotion and fraught with challenges, as long buried issues came to the surface, and at times the project itself hung in the balance.

Yasmin Fedda’s subtly crafted and beautifully shot film explores the difficult choices the women have to make about appearing on stage, and the close relationships they form within the group as they explore with each other their experiences. It shows their bravery and determination that their stories should be told to the world.

Washington DC

The original production was invited to go on tour in the US and Switzerland, courtesy of Georgetown University in Washington DC, and Columbia University in New York, but sadly the casts visas were denied, so the tour was 'virtual' since unfortunately our original cast were unable to travel to the US as their visas were rejected. Listen here to the story on NPR. After we showed the trailer and some short clips from the documentary footage from 'Queens Of Syria', The inspirational cast of The Trojan Women received a standing ovation from a visibly moved Georgetown audience.Under the expert moderation and translation of Syrian broadcaster Honey Al Sayed, the cast, director and audience were able to have a discussion about the project, sharing experiences of participating in and of watching some of the performance. Despite thousands of miles and visa denials, the team at Georgetown enabled our cast to tell their stories and ask their questions, and gave the Washington audience a flavour of what (we hope!) is to come if visas are granted and a live performance is made possible.

You can discover more about the event in a report by Peter Marks in the Washington Post and also in a Foreign Policy article by Ambassador Cynthia Schneider, co-founder of the Georgetown Laboratory for Global Performance and Politics.

Geneva

The Talberg Institute also hosted nine of the cast members to mount an abridged version of The Trojan Women at CERN in Switzerland.

Washington DC

The original production was invited to go on tour in the US and Switzerland, courtesy of Georgetown University in Washington DC, and Columbia University in New York, but sadly the casts visas were denied, so the tour was 'virtual' since unfortunately our original cast were unable to travel to the US as their visas were rejected. Listen here to the story on NPR. After we showed the trailer and some short clips from the documentary footage from 'Queens Of Syria', The inspirational cast of The Trojan Women received a standing ovation from a visibly moved Georgetown audience.Under the expert moderation and translation of Syrian broadcaster Honey Al Sayed, the cast, director and audience were able to have a discussion about the project, sharing experiences of participating in and of watching some of the performance. Despite thousands of miles and visa denials, the team at Georgetown enabled our cast to tell their stories and ask their questions, and gave the Washington audience a flavour of what (we hope!) is to come if visas are granted and a live performance is made possible.

You can discover more about the event in a report by Peter Marks in the Washington Post and also in a Foreign Policy article by Ambassador Cynthia Schneider, co-founder of the Georgetown Laboratory for Global Performance and Politics.

Geneva

The Talberg Institute also hosted nine of the cast members to mount an abridged version of The Trojan Women at CERN in Switzerland.

Washington DC

The original production was invited to go on tour in the US and Switzerland, courtesy of Georgetown University in Washington DC, and Columbia University in New York, but sadly the casts visas were denied, so the tour was 'virtual' since unfortunately our original cast were unable to travel to the US as their visas were rejected. Listen here to the story on NPR. After we showed the trailer and some short clips from the documentary footage from 'Queens Of Syria', The inspirational cast of The Trojan Women received a standing ovation from a visibly moved Georgetown audience.Under the expert moderation and translation of Syrian broadcaster Honey Al Sayed, the cast, director and audience were able to have a discussion about the project, sharing experiences of participating in and of watching some of the performance. Despite thousands of miles and visa denials, the team at Georgetown enabled our cast to tell their stories and ask their questions, and gave the Washington audience a flavour of what (we hope!) is to come if visas are granted and a live performance is made possible.

You can discover more about the event in a report by Peter Marks in the Washington Post and also in a Foreign Policy article by Ambassador Cynthia Schneider, co-founder of the Georgetown Laboratory for Global Performance and Politics.

Geneva

The Talberg Institute also hosted nine of the cast members to mount an abridged version of The Trojan Women at CERN in Switzerland.

In 2013 Refuge Productions in partnership with Oxfam mounted a new production of Euripides’ great anti war tragedy the Trojan Women in Jordan with a cast of Syrian refugee women displaced by the war in Syria. The production was intended both as a psycho-social support measure for the participants, and as an advocacy tool to highlight the plight of Syrian refugees. The women who participated arrived at the workshops in varying states of suffering from depression, feelings of isolation and PTSD. Without claiming that the production cured these, the Syrian psychologist we employed to monitor the workshops and rehearsals confirmed that the process allowed the women to take back a great measure of self confidence and self respect, as well as finding a new support group through sharing each others’ stories and experiences. In 2013 the refugee crisis engulfing the region as a result of the civil war in Syria was very under-reported internationally. We correctly projected that showing this crisis in a different and dramatically surprising way would have a much wider impact in reporting terms, and as such the play was widely covered by regional and international press both in newsprint and on television.

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Trojans UK 24-25 Hounslow

Charlotte Eagar

Jan 20

Oral heritage project

Following the extraordinary take up of our Trojans Hounslow workshops last year

(we had 120 refugees and asylum seekers!), we are continuing with the project. We

are currently doing oral heritage interviews with participants. We will be restarting the

workshops in February, in the run up to a performance at the Hounslow Arts Centre.

We will also be loading many of the interviews up on our podcast and lodging the

archive locally at Gunnersbury Park museum. This project has been funded partly by

the National Lottery Heritage Fund, Thriving Hounslow, Hounslow Arts Centre and

private donors.

Made possible with:

Trojans UK 25 Stirling

Charlotte Eagar

Jan 20

Trojan Women SCIO will be starting the Stirling Trojans UK project later this spring. So excited to be working in Scotland again, getting the team back together. Hope to be working with Stirling Council, Stirling University and the wonderful MacRobert Arts Centre again. Migrants will also be invited to contribute to our podcast. This project is supported by Newbury Trust, and other donors.

Where is Love?

Charlotte Eagar

Jan 20

Following the fabulous audience reaction to our screening of Where is Love? the

documentary about our first ever adaptation of the musical Oliver! with a junior cast

of Syrian (and one Palestinian) refugee kids in Jordan, at the Frontline Club last

November, the film is now in the final edit and will be released this spring. It’s so

exciting. This project has been supported by Sir Cameron Mackintosh, the Niarchos

Foundation, the UNHCR, UNICEF, the British Embassy in Syria, the Rayne

Foundation and many private donors.

Made possible with:

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